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Popular Music: All That Jazz


King Oliver Creole Jazz Band
Between 1910 and 1920, jazz and the syncopated beat of ragtime fueled the dance craze. Women were cautioned that too much dancing would ruin their reputations, but few listened.  Tin Pan Alley cranked out thousands of new popular tunes.

The demand for bands and orchestras to fill ballrooms across America led to better organized, more professional groups and huge instrument sales. Records and later the radio helped such bands as the Paul Whiteman Orchestra achieve national acclaim.

New Orleans, with its black and white musical traditions, gave birth to jazz. Unlike the strict structures of ragtime, jazz meant improvisation. The New Orleans sound traveled up the Mississippi to such places as St. Louis, Missouri, and Davenport, Iowa, eventually crossing over to Chicago. In the “Roaring Twenties,” white audiences flocked to “Negro” nightclubs in Chicago and New York to catch the latest jazz.

 

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Castle Walk
performed by James Reese Europe’s Society Orchestra

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Alexander's Ragtime Band by Irving Berlin

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Over There by George M. Cohan, performed by Enrico Caruso

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Rock-A-Bye Your Baby with a Dixie Melody performed by Al Jolson

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Black and Tan Fantasy performed by Duke Ellington Orchestra

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Snake Rag performed by King Oliver’s Creole Jazz Band

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West End Blues
performed by Louis Armstrong and his Hot Five

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Darktown Strutter’s Ball performed by the Original Dixieland Band

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Mississippi Mud
performed by Paul Whiteman Orchestra

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Crossroads
by Robert Johnson

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St. Louis Blues
by W.C. Handy, performed by Bessie Smith

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Blue Yodel (T for Texas) performed by Jimmie Rogers

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