On Thursday, October 25, 2012 at 7 PM, the Museum of Making Music present former U.S. National Fingerstyle Champion Chris Proctor for a special concert performance.

One reviewer recently tried to capture the essence of Chris Proctor's music: "What to call his unique melange of styles? There's an aspect of Americana in the echoes of Appalachian and old-timey styles that are apparent in just about every track, but there are also elements of jazz, Celtic folk, and a dash of blues in here somewhere. What Proctor does is create guitar music that reflects the whole heritage of the instrument and still has his own distinct stamp — a tall order, but he's up to the job"

Critics also call his guitar playing "breathtaking," "haunting," and "rich." Guitar magazines describe his compositions as "spectacular," "elegant," and "exquisite," and praise his twelve-string work as "revelatory." Media reviewers trace the roots of his style to folk, jazz, pop, and classical music, categorize his playing as "Baroque Folk," "New World Steel String," "Solo Guitar Orchestra," "Instrumental Americana," and compare him to Leo Kottke and Michael Hedges.

These luminous and diverse quotes reveal the breadth and depth of Chris Proctor's music- his solo, 6 and 12-string guitar concerts and recordings. Two additional comments typify the first-time listener's reaction: "Wow- I didn't know that acoustic guitars could sound like that," and, " It seems as if there are three guitarists up there on stage, not just one."